保罗•奥斯特（Paul Auster，1947— ），生于新泽西州的纽渥克市。在哥伦比亚大学念英文暨比较文学系，并获同校硕士学位。 奥斯特于1990年获美国文学与艺术学院颁发“莫顿•道文•萨伯奖”，1991年以《偶然的音乐》获国际笔会“福克纳文学奖”提名，1993年以《巨兽》获法国麦迪西文学大奖，2006年10月获颁阿斯图里亚斯王子文学奖。作品除了小说《月宫》、《纽约三部曲》、《幻影书》、《神谕之夜》、《密室中的旅行》等，还包括回忆录《孤独及其所创造的》、评论集《饥渴的艺术》及诗集《烟灭》。作品已被译成三十多种语言。 在文学创作之外，奥斯特也热衷于电影剧本写作并曾独立执导电影。目前与妻儿定居于纽约布鲁克林区。

保罗•奥斯特（Paul Auster，1947— ），生于新泽西州的纽渥克市。在哥伦比亚大学念英文暨比较文学系，并获同校硕士学位。 奥斯特于1990年获美国文学与艺术学院颁发“莫顿•道文•萨伯奖”，1991年以《偶然的音乐》获国际笔会“福克纳文学奖”提名，1993年以《巨兽》获法国麦迪西文学大奖，2006年10月获颁阿斯图里亚斯王子文学奖。作品除了小说《月宫》、《纽约三部曲》、《幻影书》、《神谕之夜》、《密室中的旅行》等，还包括回忆录《孤独及其所创造的》、评论集《饥渴的艺术》及诗集《烟灭》。作品已被译成三十多种语言。 在文学创作之外，奥斯特也热衷于电影剧本写作并曾独立执导电影。目前与妻儿定居于纽约布鲁克林区。

Jim Nashe has taken to the wide-open road in pursuit of 'a life of freedom', bankrolled by a large sum of money inherited on his father's dead. One fine summer morning he stops his car to offer a ride to the bedraggled figure of Jack Pozzi, itinerant gambler and card-player. Nashe finds himself taking a shine to the penniless younger man, even electing to stake him in an extrao...(展开全部)

In this important new study Ian Hacking continues the enquiry into the origins and development of certain characteristic modes of contemporary thought undertaken in such previous works as his best selling Emergence of Probability. Professor Hacking shows how by the late nineteenth century it became possible to think of statistical patterns as explanatory in themselves, and to r...(展开全部)

In this important new study Ian Hacking continues the enquiry into the origins and development of certain characteristic modes of contemporary thought undertaken in such previous works as the best-selling The Emergence of Probability. Professor Hacking shows how by the late nineteenth century it became possible to think of statistical patterns as explanatory in themselves, and ...(展开全部)

In this important new study Ian Hacking continues the enquiry into the origins and development of certain characteristic modes of contemporary thought undertaken in such previous works as the best-selling The Emergence of Probability. Professor Hacking shows how by the late nineteenth century it became possible to think of statistical patterns as explanatory in themselves, and ...(展开全部)

In this important new study Ian Hacking continues the enquiry into the origins and development of certain characteristic modes of contemporary thought undertaken in such previous works as his best selling Emergence of Probability. Professor Hacking shows how by the late nineteenth century it became possible to think of statistical patterns as explanatory in themselves, and to r...(展开全部)

耶胡迪・梅纽因在七岁首次登上音乐厅舞台时便震惊了音乐界，此后便一直是他那个时代的传奇人物。他不仅是位杰出的音乐家，而且是位作家、历史学家和人道主义者。乔治・斯坦纳曾评价道：“梅纽因的光芒……已使自己诠释音乐的过程成为一种彻底的情感表达和人性的体现。”梅纽因于1916年出生于美国的一个俄裔犹太人家庭。他十岁时在巴黎首次面对十分挑剔的欧洲音乐精英；十二岁时，他便在柏林同布鲁诺・瓦尔特合作演出。作为小提琴演奏大师和著名指挥家，梅纽因的作品被录音的次数超过了20世纪的所有音乐家。他曾在世界备地的音乐厅里演奏，并在第二次世界大战期间活跃在各个盟军战区，为将士们献艺。梅纽因充分意识到音乐神童所面临的问题，于是在英国萨里郡的斯托克达伯农创办了一所音乐学校，为来自世界各地的天才音乐学子提供学院教育和最好的音乐专业培养。然而，耶胡迪・梅纽因的兴趣远不止局限于小提琴家、...(展开全部)

2005年第7版

2005年第7版